Wednesday, June 25, 2014

Making Good Use of Color Psychology

Amy Morin, a business specialist, wrote the following article which we can apply to our own homes or businesses:


"Whether you’re wondering what color to paint the office, or you’re looking to redesign your retail space, the colors you choose can increase your chance of reaching your goals. Color greatly influences human emotion and behavior. If you’re hoping to make your workers more productive, or you want to encourage shoppers to spend money, understanding the basics of color psychology can help you design a space that will maximize your potential.
English: Robert Plutchik's Wheel of Emotions
Robert Plutchik's Wheel of Emotions Photo Credit: Wikipedia
I interviewed Sally Augustin, Ph.D., to find out more about color psychology. Augustin is an environmental psychologist and internationally recognized expert on person-centered design. Augustin operates Design With Science, where she teaches individuals and businesses how to use color to their advantage.




Change People’s Perception of Temperature
The color of a wall can actually change how a person perceives the temperature, according to  Augustin. Warm colors, such as orange, red and yellow can cause people to think the temperature in the room is warmer than it actually is. Cool colors, such as blue, green and light purple cause people to estimate the temperature is colder.
Business owners can use this to their advantage by saving on heating and cooling costs. For example, if you live in a cold environment, painting an entryway a warm color may cause people to think your establishment is a few degrees warmer than actually is. This may allow you to keep the temperature at a slightly lower setting.
Evoke Emotional Responses
Augustin states that color evokes similar emotional responses in most people. However, there aren’t always universal truths about color. People of different cultures may have different thoughts and emotions about certain colors. Also, a person’s past experience can affect feelings about a certain color. Augustin notes that she dislikes a particular shade of blue for example, because it reminds her of an allergy medicine she had to take as a child. Despite the exceptions, there are some basic generalities about how certain colors evoke specific emotional and behavioral responses.
Green Sparks Creativity
Research has linked green with broader thinking and more creative thought. People generally like green. “There seems to be a positive association between nature and regrowth,” notes Augustin. So if you want your employees to be more productive, consider painting work areas green.
Red Reduces Analytical Thinking 
There’s a reason why red sports cars cost more to insure. When humans see the color red, their reactions become faster and more forceful. However, that boost of energy is likely to be short-lived and ultimately, red reduces analytical thinking. Augustin cites research conducted by Andrew Elliot, professor of psychology at the University of Rochester, that shows athletes are more likely to lose when they compete against an opponent wearing red and students exposed to red before a test are likely to perform worse.
Although the research indicates that red can be helpful if you’re trying to attract a mate, it isn’t helpful if you need to stay on task. One possible reason why red makes it hard to concentrate, may be tied to a cultural-specific issue, says Augustin. Those of us who got a lot of answers wrong as children, may associate the color red with the red ink our teachers used to mark up our papers.
Blue is Most Accepted
When asked what their favorite color is, the most common answer around the world is blue. This may be because when our ancestors used to see blue – like a clear blue sky or a watering hole – it was a good sign, according to Augustin. Painting a common area of an office building blue is likely to satisfy the majority of people.

Yellow isn’t Usually a Hit
Avoid painting public spaces yellow because most people aren’t a fan of the color. However, the people who do like yellow, seem to have a huge preference for it, whereas most people only slightly favor one color over another. Overall, yellow remains the least likely favorite color for most people, so pick a different color if you want to appeal to the masses.
Orange is Associated with Good Value
People associate the color orange with a good value. The orange color in theHome Depot HD -0.87% logo for example, helps customers view them as a low cost provider of valuable goods. Some high-end retailers have been able to overcome this association with orange and they’ve successfully incorporated orange into their brand.
Pink Calms People Down
There’s a reason some sports teams paint the opposing team’s locker room pink – it’s known for draining people of their energy. Baker-Miller pink (the same color of Pepto-Bismol) calms people down for about 30 minutes, according to Augustin. Once people have remained calm for that time frame, they’re often able to remain in a calm state. This could be a great color for lawyers who are conducting mediation or a board room where conversations may get heated.
White May Lead to Boredom
White has a modern appeal. Apple AAPL +0.92%, for example, has used white to brand their clean, sleek look. However, too much of a monochromatic look can cause people to reflect on their own thoughts, warns Augustin. A person shopping in a monochromatic store may become distracted from the task at-hand when their mind begins to wander because of the lack of stimulation.

Wednesday, June 18, 2014

Yellow's History

The legendary Canadian painter, Robert Genn, gives us wonderful information on one of my favorite colors, yellow.

"


Traditionally, yellow has come from five main sources--mango, gamboge, orpiment, ochre and saffron. In the case of the Indian mango bush, the leaves were force-fed to a certain type of cow. At this point the cow's bladder would produce a urine-dyestuff which could be harvested and exported in the name of Indian Yellow.

Gamboge, a corruption of the word Cambodia, first came from that country. It's an extract from the Garcinia hanburyi tree, which, when raw, forms into dirty brownish balls like earwax. When touched with water or other medium it becomes a brilliant yellow.

Both gamboge and orpiment are full of arsenic. "There is no keeping company with orpiment," warned Cennino Cennini, about 1390. Orpiment means "gold-like." It fascinated Middle-Ages alchemists.

Ochre is an iron-oxide mineral found on every continent, but notably in Turkey, southern France, and at Sienna in Tuscany. While less brilliant than most other yellows, ochre is perhaps the earliest artists' colour and, to this day, one of the more useful.

Among the yellows, saffron has the highest price tag. Used in both cookery and art, saffron comes from the delicately harvested pollen on the tiny stamens of a purple crocus. Originating probably in Kashmir, saffron culture spread to Morocco, then Spain, and in the 16th century to a short-lived industry in and around Saffron Walden in England.

These days the pigment business is greatly synthetic. Colour-making represents the confluence of the art of chemistry and the chemistry of art. What we do with it is not too far removed from the day when some cave-dweller picked up a chunk of ochre and found that he could make his mark. "I have magic," he or she must have thought."


My yellow dream car

Best regards,

Robert Genn

PS: "There are painters who transform the sun into a yellow spot, but there are others, who, thanks to their art and their intelligence, transform a yellow spot into the sun." (Pablo Picasso)

Esoterica: For a fascinating artist's odyssey, see Colour: Travels Through the Paintbox, by Victoria Finlay, a passionate and brilliantly curious young woman. In one of her many colour-seeking adventures, she rickshaws out to the village of Monghyr, near Patna in Bihar State, India, to try to find out why the ancient cows died young.

Wednesday, June 11, 2014

Place As Color Inspiration

The designer DOSA has found her place of inspiration, a national park. Seeing her collection for 2014 shows her interpretation of the colors she saw.


"The colors in spring 2014 capture the sunlit landscape and inky night sky of Joshua Tree National
 Park.
 I have visited this geological wonderland some 20 or 30 times since my first trip in 1996, and it still 
continues to inspire. Despite its harsh landscape, Joshua Tree is welcoming, communal, and open.
 Alone or with some friends, I’ll pack a lunch, jump in the car, and drive a few hours on the long
 highway just to sit on the mammoth granite rocks, shadow gazing the quirky Joshua trees.
 I celebrate this place and its sustaining influence with a bit of humor and love.
Joshua tree silhouettes are created in appliqué, developed with our friend and textile designer,
 Karin Spurgin. Natural dyes provide color, like mimosa tree bark and cochineal for ‘dune’. Iron,
 weld, and cochineal create the color ‘joshua’. “Supercheck” fabric made by WomenWeave
 Charitable Trust combines their own leftover dyed yarns and my color pairings - uniquely 
Indian hues presented in a dosa palette. I allow these unexpected elements to infuse the 
collection with a sense of play." Dosa